The Berlioz Robo-Solo

The Berlioz Project has been created for Ars Electronica‘s Big Concert Night, Sep. 2018, in collaboration with Bruckner Orchestra Linz, Markus Poschner, Norbert Trawöger, Silke Grabinger, Martin Honzik, Karl Schmidinger, Joshi Viteka, Hannes Franks, Johannes Braumann, Peter Freudling.

A central element of the special stage setting was the heavy duty industrial robot KUKA-KR600 which weighs more than 2,5 tons and is 3,3 m high when fully stretched.

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The robot was placed in the middle of the stage, surrounded by the orchestra and the motors of its 6 axis were directly controlled by the music of the orchestra – the same data which were used for the digital realtime visualisation.

The realtime visuals were presented on 6 large screens, surrounding the orchestra and the robot.

 

 

 

 

 

 

 

 

For the 3rd movement of Symphonie Fantastique we developed a special system where the music was controlling the movements of the robot and the robot sent his position-data to move and synchronize 4 moving-head lights and also to control the position of the realtime-visuals on the screens.

Realtime Visualisation for the 3rd Movement. The position of this orange square was directly controlled by the position-data coming from the robot. All other modifications were controlled by the music-signal from the orchestra.

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The Berlioz Project – Concert

A project for the „Big Concert Night“ of Ars Electronica 2018

Symphonie Fantastique, Hecor Berlioz (1830)
Performed by Bruckner Orchestra Linz / Markus Poschner

Dancers: SILK Fluegge with Silke Grabinger, Gergely Dudás, Elias Choi Buttinger
Tour en l´air (spinning dresses) by Ursula Neugebauer,
Roboter choreography and programming: Johannes Braumann, Peter Freudling, Silke Grabinger, Cori O‘lan
Visualization and Robotchoreography for 3rd movement by Cori O’lan
Robot: KUKA KR600 industrial robot / KUKA GmbH

Here are some excerpts from the live concert in the Postcity/Gleishalle of Ars Electronica 2018.

Realtime visualisations were shown on 6 large screens.
In the part with the dancers the robot was pre-programmed according to the choreography of Silke Grabinger (Robot-programming was done bei Johannes Braumann and Peter Freudling)
In the 3rd movement and in the special percussion intermezzo the robot was directly controlled by the music of the orchestra. The robot was continuously sending data about his position back to the computer to control the movements of the moving-head-lights and also to the graphic-computer to control and synchronize the position of the visuals on the screen. —> here is more about this Robo-Solo.

Realtime visualisation for the 1st movement of Symphonie Fantastique:

Realtime visualisation for the 2nd movement of Symphonie Fantastique: